Fathom Events – Led Zeppelin concerts

Fathom Events – Led Zeppelin concerts

Occasionally in life we have a rare opportunity to re-live some of the more exciting and memorable cultural experience of our past. And so it was this week when we had the unique opportunity to enjoy an extraordinary big-screen showing of selected historic performances by the incomparable Led Zeppelin, one of the most creative and influential rock bands of all time. This one-night-only cinematic extravaganza spanned the band’s incredible career from 1970 to 1979. The film that featured several classic live performances was cleaned up, converted to digital and had the sound track remastered under the oversight of Fathom Events.

Viewers were treated to a larger-than-life concert experience featuring the band’s legendary performance from London’s Royal Albert Hall in January 1970, their historic dates at New York’s Madison Square garden in July 1973, their triumphant five-night run at London’s Earl’s Court in May 1975, and their record-breaking shows at England’s Knebworth Festival in August 1975.

The genius of singer-lyricist Robert Plant, the shrieking guitar brilliance of Jimmy page, the unrelenting power-drive of drummer John Bonham all combine in a synergistic amalgam to create what is probably the greatest rock and roll band has ever known…a seamlessly unified whole that was the sum of its genius parts. And although Led Zeppelin is known as one of the progenitors of heavy metal, the influences that shaped them are varied as their music: acoustic folk ballads, pop guitar, James Brown, country, Motown, traditional riffs, and what’s been called the trance-inducing element of blues repetition, all resulting in such varied works as “Whole Lotta Love” (’69), “Kashmir” (’75), “Rock & Roll” (’71), “All My Love” (’79), and “Stairway to Heaven” (’71).

But their time of personal glory was not to last. In September 1980, drummer John Bonham died suddenly of asphyxiation as a result of alcoholism and the tragedy of that loss marked the end of the magical synergy that was Led Zeppelin. A press release at the time read, “We wish it to be known that the loss of our dear friend, and the deepest sense of undivided harmony by ourselves … have led us to decide that we could not continue as we were. “ Signed simply “Led Zeppelin”. The “undivided harmony” was shattered forever and the music fell silent; the combined effect of all their creative geniuses was essential to sustain the whole and suddenly that unity was lost, but their extraordinary legacy was alive for us this week on the big screen, four decades and a lifetime after its inception, and for that we are very grateful indeed.

New Global President AV for Roland – Kim Nunney

New Global President AV for Roland – Kim Nunney

While at NAB 2015, we had a chance to have a 1;1 talk with new Global President of Professional AV for Roland Corp Kim Nunney. Kim steps into this role from his recent position of North American President for Roland Corp. Kim and his team were credited with the turnaround on the North American marketplace for both the consumer and professional products.

To kick off the discussion, as there is so much encroachment of consumer level up into the professional market place with features and motivation to produce more price aggressive and lower entry points of the professional market what is “pro AV for Roland”? Kim defined this space under two themes – the Professional AV space is a B2B marketplace, it deals with performers, studios and stages. The core technologies for these markets are live sound and broadcast audio & video. The Roland path is to develop hardware to simplify the live performance and broadcast control with new UIs for the equipment.

Kim went on to discuss that device they are making are focused on high level content – 4:4:4 for broadcast, 4:2:2 for live events for the video side, 24bit/96K for the audio both in the digital domain. These ae important as the use of the devices for streaming applications should be treated the same as for “live” as they are both temporal delivery without the option to miss capture or mess up on playout. The professional line is for reliability, repeatability and configurability so they can not only be setup as needed, but are always available when call on.

For these applications, the Roland Pro AV products deal with the front end of the signal flow – DRM, wrappers, metadata, security & encryption are done after the hardware in post or before the equipment on ingest. The newest generation of the product are all network integrated and aware, which makes for connectivity on an in-house or hybrid (in-house and cloud) workflow are supported in native mode for the devices.

Kim indicated that the trend is to continue this same high reliability both mechanically and electrically on the products to be able to produce the best live performance & broadcast experience and simplify the control & interface with software.

The company has a strong history in the Pro AV space and the newly re-vitalized Roland is aggressively moving towards delivering new modular products to the market that have the capability to address emerging audio and video standards, without having to make the customers develop new workflows. Kim hopes to be able to duplicate the North American business units success on a global basis with the professional products.