Filmmaking for VR

Filmmaking for VR

August 2015, Siggraph – David Karlak, a filmmaker based in Los Angeles, sees VR as an extension of the dreams that we have always had. He predicts that beyond VR, there will be additional technologies that will give us more immersive experiences. These experiences will include characteristics and senses from the physical world, such as smell. The opinion of the panel was that VR is not a necessity to be pushing innovation, but it is instead a wish fulfilling technology. For now, access to VR is not affordable to 99% of the world, but over time it will be more popularized and democratized.
Karlak has been exploring the confluence of virtual reality and science fiction cinema. He directed the short film “Candidate” that created a lot of buzz in the industry. Following this success, he raised funds on Kickstarter for his next project “Rise”, a film about a robot revolution in the future, told from the perspective of the robots. He sold the original story concept to Warner Brothers. Soon after sale of “Rise”, he sold a second original pitch titled “Outliers” to 20th Century Fox.

When he talked about VR he reminded the audience about the scene from “Reservoirs Dogs” by Quentin Tarantino. There was a scene in the film where all the characters were sitting on the table and the cameras was on a dolly which was rotating from one character to another. Having that camera calling out the characters in that moment is like having a camera on the table. “It actually make things simpler”, said Karlak . ”There is more emphasis on blocking of your actions in oppose to blocking of the camera. The camera in some ways disappeared leaving the viewer deeply immersed in the dialog and action of the scene.” He sees VR as alternative to Facebook or Instagram. People instead on spending time posting on social media, they will be “physically immersed” and connected in VR.

Paul Weitz’s “Grandma”

Paul Weitz’s “Grandma”

Great cast, brilliant dialog and lively scenes fill the new Paul Weitz film “Grandma”. Grandma Elle (played by Lily Tomlin) and her granddaughter Sage (played by Julia Garner) spend the day trying to collect some money for helping resolve an unexpected incident that Sage got into. Unannounced visits to old friends and flames end up rattling skeletons and digging up secrets while they go about solving their situation.

Paul’s Weitz new movie proves that a cinema still can be attractive based on the compiling story and dialog instead of just special effects. The story deals with women and social issues with a lightness that makes the audience laugh sometimes while highlighting the issue at hand, but always leaves the audience waiting for the next scene. Lily Tomlin is wonderful in the seasoned role of grandma.  In complement is Julia Garner who is a raising star in her acting career, in the role of the granddaughter.

What I liked about the movie, is that it is taking you on the journey through the back door of the experience by telling you up front what is an issue but leading you through the unexpected alleys and uncovering the secrets of the human relationships that lead up to that experience.

The film opens August 28 at Century 9 and Sundance Kabuki in San Francisco; opens September 4 at Landmark Albany Twin in Albany, Century 16 in Pleasant Hill, Landmark Guild in Menlo Park, Cinema 7 in San Jose and Christopher B. Smith Rafael Film Center in San Rafael.