by Lidia Paulinska | Dec 6, 2015
Kingston just expanded its HyperX headset line with the new Cloud Mav Edition, Freestyle Series. The limited edition over the head and over ear headphones are designed for the serious gamers. The headphones are used in serious eSports competition including Intel Extreme Masters, Brazil Game Show, China Joy, DreamHack, gamescom and PAX, where is highly appreciated by them. This apprecaiation is not just because of the performance but also their jazzy look, which is a loving baby of the cooperation between Kingston Company and the artists.
The headphones feature a large memory foam ear cushions surrounding the high-fidelity 53mm drivers, a closed cup design and detachable microphone. The two set of ear cushions (leatherette and velour) provide excellent sound isolation, so background noises in the game and sound effects can be clearly heard. One of the challenges with gaming headphones versus general listening headphones is the how the sound is separated to insure that voices come out clearly over the background. HyperX headset uses a separate detachable microphone to insure high quality communications in multiplayer games. The microphone uses a 6.5 mm diameter electret condenser capsule that is configured in a Cardioid pattern to minimize environmental noise pickup.
The headphones and microphone system is a wired design that is compatible with PCs, notebooks, tablets, mobile phones, airplane adapters and PS4 consoles though a standard 3.5mm mini stereo jack connector. The wired design works well for multiple people playing in one area as well as eliminating noise and false sounds that may come from other electronic devices. Most wireless headset systems pickup sounds from cell phones, tablets, laptops and other devices when connected to consoles and gaming computers. The high quality connection cable and the memory foam ear cushions give a very clean and isolated experience allows for deep immersion in the gaming environment.
The headphones are available from most retail channels for holiday season and comes with two-year warranty.
by Lidia Paulinska | Dec 6, 2015
This holiday season Moshi brings to its variety of electronics accessories new stylish and tech-savvy, messenger style Aerio bag. Designed for 15” laptop or tablet has also many, some expandable, packets/compartments for camera, headphones, wallet, phone etc. The bag features a proprietary ViscoStrap solution, the strap that reduces the effective weight of the bag on your shoulder when it is carried. The bag comes in two colors – Black and Grey. It is made of sturdy, premium, water-resistant fabric with stylish leatherette trim. It is All-in-One bag solution for professional, tech community that cares for design and usefulness.
The bag is very functional and addresses the need for the modern traveler – whether it is plane, train, bus or car – to have their laptop/tablet with them, along with the camera, cables, chargers, and purse supplies. The size is set nicely for not being too big, but large enough to hold what is needed. The bag is sized to fit under the seat for airlines, so you can have your items near you for flights.
by Tomasz Kolodziejak
by Lidia Paulinska | Dec 6, 2015
On December 2, 2015, in a live encore performance from the Metropolitan Opera House in New York City, Fathom Events presented Alban Berg’s masterful opera Lulu, featuring Marlis Petersen in the title role, Susan Graham as Countess Geschwitz and Johan Reuter as Dr. Schon. This was a very special performance, for it was to be Ms. Petersen’s final appearance in the role of Lulu after a professional career of delighting audiences here and abroad.
Alban Berg (1885-1935) was an Austrian composer, heavily influenced by Arnold Schoenberg and the culture of fin de siécle Vienna. He composed two seminal operas which were the most innovative and influential works of the 20th century: Woyzek (1925) and Lulu (1937). He is known for combining 19th century Romantic elements with Expressionistic idioms of the 20th century.
In this visually stunning production, the romantic lyricism of the music works in counterpoint to its atonality, and is complimented and contrasted with the stark, black and white expressionistic rear-screen projections, which, through their often violently changing patterns, create a kind of choral commentary on the action. Sudden giant swarths of black ink wash across the screen from one end of the huge Met stage to the other, and just as suddenly may dissolve into indiscriminate lines and circles with faces emerging from the seeming visual chaos. Characters on stage may wear cylindrical cardboard coverings over their entire heads featuring painted images and Lulu herself, as the personification of lustful, carnal desire, may append to herself cut-outs of her sex, becoming a cartoon-like nude.
Projection Designer Catherine Meyburgh, Set Designer Sabine Theunissen, and Costume Designer Greta Goiris all fulfilled the extraordinary task of creating visual magic and Maestro Lothar Koenigs along with the magnificent cast of Lulu were all instrumental in creating a memorable experience that will live on in our imaginations long after the final curtain.
