by Lidia Paulinska | Dec 6, 2015
This holiday season Moshi brings to its variety of electronics accessories new stylish and tech-savvy, messenger style Aerio bag. Designed for 15” laptop or tablet has also many, some expandable, packets/compartments for camera, headphones, wallet, phone etc. The bag features a proprietary ViscoStrap solution, the strap that reduces the effective weight of the bag on your shoulder when it is carried. The bag comes in two colors – Black and Grey. It is made of sturdy, premium, water-resistant fabric with stylish leatherette trim. It is All-in-One bag solution for professional, tech community that cares for design and usefulness.
The bag is very functional and addresses the need for the modern traveler – whether it is plane, train, bus or car – to have their laptop/tablet with them, along with the camera, cables, chargers, and purse supplies. The size is set nicely for not being too big, but large enough to hold what is needed. The bag is sized to fit under the seat for airlines, so you can have your items near you for flights.
by Tomasz Kolodziejak
by Lidia Paulinska | Dec 6, 2015
On December 2, 2015, in a live encore performance from the Metropolitan Opera House in New York City, Fathom Events presented Alban Berg’s masterful opera Lulu, featuring Marlis Petersen in the title role, Susan Graham as Countess Geschwitz and Johan Reuter as Dr. Schon. This was a very special performance, for it was to be Ms. Petersen’s final appearance in the role of Lulu after a professional career of delighting audiences here and abroad.
Alban Berg (1885-1935) was an Austrian composer, heavily influenced by Arnold Schoenberg and the culture of fin de siécle Vienna. He composed two seminal operas which were the most innovative and influential works of the 20th century: Woyzek (1925) and Lulu (1937). He is known for combining 19th century Romantic elements with Expressionistic idioms of the 20th century.
In this visually stunning production, the romantic lyricism of the music works in counterpoint to its atonality, and is complimented and contrasted with the stark, black and white expressionistic rear-screen projections, which, through their often violently changing patterns, create a kind of choral commentary on the action. Sudden giant swarths of black ink wash across the screen from one end of the huge Met stage to the other, and just as suddenly may dissolve into indiscriminate lines and circles with faces emerging from the seeming visual chaos. Characters on stage may wear cylindrical cardboard coverings over their entire heads featuring painted images and Lulu herself, as the personification of lustful, carnal desire, may append to herself cut-outs of her sex, becoming a cartoon-like nude.
Projection Designer Catherine Meyburgh, Set Designer Sabine Theunissen, and Costume Designer Greta Goiris all fulfilled the extraordinary task of creating visual magic and Maestro Lothar Koenigs along with the magnificent cast of Lulu were all instrumental in creating a memorable experience that will live on in our imaginations long after the final curtain.
by Lidia Paulinska | Dec 4, 2015
As part of their excellent “event cinema” series of filmed theatrical presentations, Fathom Events (fathomevents.com) screened William Shakespeare’s The Winter’s Tale for a one-night-only showing November 30th at hundreds of movie theatres throughout the world. This masterful production was performed by the Kenneth Branagh Theatre Company at the Garrick Theatre in London with Mr Branagh doing double duty as director and lead character Leontes and brilliantly complimented by a stellar performance by the incomparable Judi Dench as the redoubtable Paulina.
William Shakespeare penned thirty-seven masterful plays and 154 sonnets. Over the ensuing centuries there have been many attempts to categorize his plays, to fit them into a specific genre niche like “tragedy,” “history” and “comedy,” with many easily conforming to one or another of these categories, such as Hamlet, Macbeth, et al. who have earned their rank as true tragedies as evidenced by the body-strewn stages in their final scenes. Furthermore, those works that may be easily labeled “histories” include of course Henry IV, V, VI, Richard II & III, et al. since their primary focus is in fact on English history, albeit fictionalized like our contemporary historical novels.
Perhaps more problematic however, are those works that critics have attempted to label “comedies.” These so-called “comedies” share little in common with our 21st century American notion of what is in fact a true comedy. What often gives these classic works new vitality and relevance for a contemporary audience are well-positioned and thematically relevant directorial interpolations such as original music, zany by-play among the characters, imaginative staging and set design, etc.
Called “a timeless tragicomedy of obsession and redemption,” The Winter’s Tale is all of that and more. Wisely avoiding getting into the “genre controversy,” the scholar/critic Harold Bloom has observed, it is a vast pastoral lyric, “a mythic celebration of resurrection and renewal,” and of course a psychological novel of the first order, dealing as it does with the destructive force of the jealous rage experienced by Leontes toward his boyhood friend Polixenes whom he mistakenly believes to be responsible for the pregnancy of his beautiful and virtuous wife Hermione. It is Othello revisited, yet with refinement, for Iago has been internalized into the psyche of Leontes whose diseased intellectual activity renders him indifferent to moral good or evil.
If Act One deals with the destructive force of sexual jealousy personified by Leontes which causes the spiritual and physical death of his innocent wife Hermione, Act Two takes place sixteen years hence and, in contrast to the tragic events of the first act, opens on a high-flying festive note, featuring rollicking folk song and dance, foreshadowing Leontes’ mythical and redemptive reunion with a miraculous resurrected Hermione.
The final scene offers us a redemptively charged tableau vivant of Leontes, Hermione, and their sixteen year-old daughter reunited and thus a Leontes redeemed.
What distinguishes Shakespeare’s comedies from his tragedies is principally in the final scenes: In the tragedies, most of the principal characters wind up dead, whereas in the comedies, reunification and redemption prevail, marriages abound, and presumably everyone lives happily ever after, or as Shakespeare indicates elsewhere, “All’s well that ends well.”
And so too with Mr Branagh’s rich and compelling production: all was very well done indeed.
by Lidia Paulinska | Dec 1, 2015
Audio manufacturer JLab was showing their new EPIC wireless Bluetooth earbuds. Designed for the active user, the earbuds are waterproof for all weather and heavy exercise use. The design has a single wire connecting the two earbuds with an in-line microphone and control for both audio playback and phone call use. The EPIC earbuds are available in several colors to help match the fashion sense of the user.
Following in the path of the over the head headphones, the Epic earbuds are focusing on the quality of the sound. To maintain an even listening experience the earbuds have a clip to hold them in place. The new design is claiming a 10 hour battery life, and the earbuds worked close to that. The 10 hours is based on certain play and pause times, the reality is with waiting, phone calls, and playing music, a single charge will make it a full 8 hour day.
The headphones identified that they use a pair of neodymium drivers, the EPIC earbuds did not identify the driver type, but on a scaled down basis they are similarly clear. The earbuds were pretty clear for talking on the phone, however they did pick up a bit of wind and background noise due to the location of the microphone. Listening to music was fine, and would work well during exercise and on transportation and still make lyrics understandable.
The Epic earbuds are available on-line from the company website and major retailers.
by Lidia Paulinska | Dec 1, 2015
iBaby Labs, is a company that has operated for the last four years in the baby monitoring space, is well known for its unique design, easy setup and user-friendly interface. As well as broadly awarded including Mom’s Choice Award, NAPPA Gold Award, The National Parenting Center Seal of Approval, Creative Child’s Product of the Year 2015.
Now the company is plunging into Connected Home under new brand iFamCare. No wonder when the new product, camera monitoring system, named Helmet, was launched on Indiegogo in July 2015, it surpassed its original goal within few days.
Helmet has elegant design and comes in four colors – white, black, silver and gold. The monitor boasts 1080p HD video, the ability to hear and speak, supports 360 degree horizontal and 110 vertical movement, sound and air quality sensors, smog detector and sound and motion alert. A built-in laser beam allows to interact with family and pets being away from them. They people and pets in the room can hear and speak to the helmet. The helmet also has a connection to social media platform.
The unit is designed to be controlled from a smartphone on iOS or Android systems. The app is easy to find at both iTunes and the Google Play Store. The main functions of the web cam works well. The images are clear and the sound is good. The streaming to the smart phone works when the phone is connected to WiFi, but does not pass images when there is just 3G or 4G coverage on a standard cellular network. The night time mode is not a detailed one but good enough to evaluate what is going on.
The product is available at Amazon, and some other retailers for competitive price 149 dol.
