At the IBC 2018, Black Box showcased their high-performance KVM and video wall technology for broadcast control rooms and post-production that serve both conventional on-air playout, audio/video editing, as well as IP and virtual machine based content transmission and workflows. 4K KVM serves both small and large workgroups to be able to share expensive CPU and GPU computing resources. In this video Daniel Prax from Black Box gives an overview of Emerald Unified KVM system.
Bright Blue Innovation is pleased to be a media sponsor of IBC 2018, premier broadcast technology and content creation technology event that was held September 12-16 in Amsterdam, Netherlands.
At the IBC 2018, after a demo presentation of NetFront Browser, Robert Guest, VP Product Management of Access Europe sat down with Editor Angel Scott to talk about the business case driving the product line. All of us at Bright Blue Innovation are pleased to be a media sponsor of IBC 2018, premier broadcast technology and content creation technology event that was held September 12-16 in Amsterdam, Netherlands.
At IBC 2018, IBM Watson Media gives an overview of their integrated AI solutions that are targeted at the media creation and VOD marketplace. In this video, David Kuczar explains all elements of their AI – Powered Solution for Media and Entertainment.
Bright Blue Innovation is pleased to be a media sponsor of IBC 2018, premier broadcast technology and content creation technology event that was held September 12-16 in Amsterdam, Netherlands.
Continuing coverage from Cosmoprof North America Roadway Media captured demos & interviews of companies showcasing the tools, technologies and applications for hair care. Andis, which has been in business for over 90 years presents their professional grade tools and cordless trimmers, Fromm International reintroduced their line of professional shears, Shear Saver provides a quick demonstration on how to realign and maintain the sharp cutting edge on your shears, Wet Brush showcases professional line of hair styling brushes, Gamma+‘s its hair dryer that uses activated oxygen to address the higher levels of visible detail inherent in 4K and HD broadcast resolution technology. CEO and founder of Saffron Secret which is the first hair care company to include saffron as the primary portion of their products talks about its hair line.
Additionally Bio:Ionic presents professional styling tool line, Groh showcases its hair care products that claim to accelerate hair growth through its patented mushroom-based technology, Clics demoes its computer-controlled and internet enabled color dispenser that allows creation of millions of colors and shades. Biotop Professional from Israel, My:Hair Care from the UK, Avena Beauty, Miracle 9 and Hair Art International discuss their products from care to color and advances in hair treatment.
Cosmoprof North America 2018 brought together retailers, distributors, beauty brands and suppliers, from across the globe; 40,000 attendees engaged with over 1,400 exhibitors. Cosmoprof bills itself as the largest B2B beauty event in the Americas. This event is recognized as a premier launching pad for new beauty brands and product innovations, providing new channels for distribution, packaging, and manufacturing solutions.
Roadway Media captured demos & interviews of companies showcasing their skincare and make-up systems that can be used for day to day professionals who have to appear on camera starting from video conferencing all the way through skin care and makeup for the full time actors and actresses. Kryolan Professional Make-up, which is a mainstay of the theater and movie industry, does an overview of the new makeup products that were developed for HD image capture and new brushes and technology for addressing the needs of the 4K marketplace.
Several independent companies are showing their local ingredients in their products including: O’o Hawaii, Cirem, California Mango, Pili Ani, CO 2 Lift, For Beloved One, Biovene and Nefertitti’s Secrets. These products are from all over the world, and represent basic skin and body management for people who use makeup on a regular basis.
Here are the video sneak peeks from expo floor at Automated Vehicles Symposium 2018 in San Francisco. The Expo featured segments from Continental presenting its Intelligent Intersection Technology, Velodyne Lidar sharing its advances in sensor technology that provides realtime 3D data, and from the educational side, Texas A&M Transportation Institute and Virginia Transportation Institute focusing on the infusion of technology into transportation and the role of research agencies in the process.
At the Automated Vehicles Symposium 2018 that was held July 9-12 in San Francisco Elaine Chao, the US Secretary of Transportation presented her remarks and observations on Self Driving Technology.
Her talk included discussion of the challenges in gaining the public trust for such technologies as they are implemented. She continued with mentioning the related process of adopting driver assistance technology and the insights gained as a result of the Department’s communication with key stakeholders in this area.
The full video captured by Roadway Media of the keynote speech follows.
After pulling off an all-nighter on the set of the popular TV series “Star Trek – Discovery” in his role as Commander Saru, actor Doug Jones was scheduled to fly the next morning from Toronto to San Francisco to be honored and presented onstage with a “Lifetime Achievement Award” at the California Independent Film Festival.
Not bad for an guy who has been unrecognizable to most of the public since he is usually behind layers and layers of prosthetic makeup in the majority of his roles, but has become a Hollywood icon for over his thirty-year career by playing some of the most unforgettable characters ever created on screen. The latest being “Amphibian Man”, the sea creature who falls in love with a mute woman, played by Sally Hawkins in last year’s Best Picture winner, “The Shape of Water”.
As soon as he arrived in the theater, he was sincerely apologetic to the cheering crowd for being late. He certainly didn’t disappoint his legion of fans, including the many Trekkie’s, as some actors in this position might have taken a different approach, such as cancelling all together, but Jones seemed to care more about his fans than about himself and it definitely showed.
EARLY DAYS
Interviewed by CAIFF founder and President, Derek Zemrak , Jones recalled growing up as a “a very tall, goofy, skinny kid” in a small town in Indiana. He was made fun of and picked on by all the other kids over the years. To survive all that, he went on to become the class clown, inspired by the likes of Dick Van Dyke, Jerry Lewis, Danny Kaye…Carol Burnett, Mary Tyler Moore, just to name a few. Those were “his” people.
“I’m inspired by that TV, so I should be on it one day”, Jones reminisced. “All my friends are on there, so I want to join them, right?”.
While going to school at Ball State University in Indiana, in addition to being the team mascot, Charlie Cardinal (with the red bird suit) he was learning mime as part of the mime troupe, “Mime over Matter”. His first job after graduating was as a street mime and contortionist at King’s Island, an amusement park in Cincinnati.
Jones explained that his “excuse” job to move to Los Angeles was to apply for a bank management training position for nine months, but was fired after eight months.
“As they should have!…Banking? You don’t want to trust me with your money.” Jones exclaims.
Then he got involved in TV commercial acting classes in Los Angeles, and within six months he was a dancing mummy on a Southwest Airline spot, and the three years following that, did 27 commercial TV spots for MacDonald’s “Mac tonight” campaign that allowed him to buy his first house.
With his contortionist skills and his “flexible” reputation as “a tall, skinny goofy guy, who moves well; wears a lot of crud on his head and doesn’t complain about it”, his attitude, along with his affable personality helped Jones make that successful transition from TV commercials to the film industry; more specifically the creature effects makeup industry”.
Jones reminisced how he was referred to by a well-known stunt friend, who was well aware Jones could put his legs behind his head, which eventually led him into his first gig on his first major motion picture.
“I got a call from the Stunt department…”, Jones explains. “We want to you to come and meet us”. After Burton demonstrates his skills, the stunt writer says “hang on a second, I’d like you to meet somebody… and he comes back with Tim “freaking” Burton. So, after I wet myself…”, Jones demonstrated his skills again. Jones got the part in “Batman Returns”, without even having any head shots.
In addition to playing the Thin Clown in “Batman Returns”, his other highlights include playing Billy Butcherson in the perennial favorite Halloween movie, “Hocus Pocus” starring Bette Midler; and the title role in “Fantastic Four – Rise of the Silver Surfer”. However, he has become Guillermo del Toro’s “go to man”, in which he no longer needs to read the script for his films to accept the role. He has worked in seven of his films, including roles of Abe Sapien in the Hellboy series, the Faun and Pale Man in Pan’s Labyrinth, and Amphibian Man in the Oscar winning Best Picture, “The Shape of Water”.
The original costume worn by Doug Jones as Orlok from the forthcoming movie, Nosferatu,, scheduled to be released in 2019. Photo taken at the lobby of the Orinda Theatre. Photo by Marcus Siu.
DREAM ROLE & UPCOMING FILM
After having played so many monsters and creatures, Jones had just one dream role left…
“If you asked me ten years ago, what’s the one role you haven’t played yet you really would love to?” My answer was “I haven’t played a proper vampire yet…I want fangs…I want to be a classic vampire…I’m too old and gross to play a young sparkly vampire. Jones continued. “Who’s old and gross? “Nosferatu!”.”
As chance would have it, Jones would get a call from Director David Lee Fisher, who did a 2005 remake of one of the first original German horror silent films, “The Cabinet of Dr. Caligari” that was shot over a hundred years ago; in which the remake updates the silent film with sound and dialogue. He called to see if Jones wanted to play the lead role in his upcoming project, “Nosferatu”. Little did Fisher know this was Jones’ absolute dream role was to play Count Orlok in “Nosferatu”.
“What’s really special…is the film in the background is all shot in green screen and the original footage from shot nearly 100 years ago will be all in the background.” Zemrak added, who came on board as one of the producers of the film, as well.
Jones also added, “not only did I get to play that character that I longed to play, but I got to play in the environment that Max Schreck got to play in.”
Something tells me with the enthusiasm and amazing talent of Doug Jones, this new and upcoming “Nosferatu” won’t suck.
Article and photos by Marcus Siu
(originally published on mlsentertainment.wordpress.com)
Most consumers who listen to music through their personal devices don’t hear much of the nuance and detail that was meticulously crafted and constructed during the recording process in the studios. Sure, they “listen” to their music through their headsets and enjoy it enough to sing and keep listening to it, but they really don’t “hear” the highly detailed and immersive sounds which recording engineers have meticulously captured.
There is quite a lot lost during the journey from that was faithfully recorded initially in the music studio to the path of the consumer’s ears.
At the most recent Pepcom Digital Experience show in San Francisco, some of the most cutting edge companies displayed their latest mobility wares, and featured a few audiophile manufacturers thrown into the mix, which was a refreshing change. Problem was that some of the companies couldn’t instantaneously demonstrate how good their audio products were since the surrounding booths would drown each other out and no one would be able to hear anything in the room.
Luckily, at the Shure booth, they didn’t have that issue. Their audio demo was quite minimalist with a table that included an iPad attached to their KSE1200 analog Electrostatic Earphone System.
Lyle Lovett’s “Her First Mistake” was the first demo from the Shure booth. Photo by Marcus Siu
When I put those little earphones on, the sound was so pure and lifelike that I felt I was put right in the actual recording studio alongside with singer Lyle Lovett and his band. I could hear every little acoustic detail from his band, along with every breath that Lyle took while singing. This demonstrated to me that this is as honest as music is going to get. Even coming from the mainstream iPad, it was still unbelievable that the sound could sound so true.
My initial impression was how could something so light and small put out such detailed and realistic lifelike sound coming from these tiny little 5.8 ounce earphones? It was disbelief for me for the first few minutes, and then I just surrendered to the music and just could not stop listening.
Not only that, but these lightweight earphones were extremely comfortable. There was never an issue with “headphone fatigue” like other headphones I have tried on before. After the first minute or so, I almost forgot I had them in my ears all together once I started hearing the music.
I really got into the music while I was moving and a grooving. I was gettin’ down like James Brown and I’m sure the other fellow journalists around me probably thought I was a nut or just overreacting around the Shure booth to get some attention, but I was most certainly not.
I was so immersed with the music making that was produced through this system and was listening carefully to hear if I could discover any imperfections at all, which never happened. This is as close to hear what the sound engineers hear in the studio. Nothing to obstruct between your ears and the music. It was just me and the music. Pure and simple.
Photo courtesy of Shure
Actually, the KSE1200 Electrostatic Earphone Systems aren’t new with Shure. According to Sean Sullivan, who gave me the demo in the booth, he explained that the Shure KSE1200 is the second product in Shure’s lineup of the Electrostatic Earphone Systems, but is the same system as the Shure KSE1500 (list price $2999) that included the same electrostatic amplifier and earphones, except that the KSE1500’s amplifier included a digital front end (a DAC; a screen on it, and also a DSP built into it).
“So many people starting using the KSE1500 ($2999 list) with the analog input, but the price was still a hurdle for that. The KSE1500, and now the KSE1200 both have an analogue input and the same circuity, literally the exact same electrostatic earphones for $1,000 less. Takes all of the digital front end and stream additional components out of the mix that people really already have in their players these days,” Sullivan noted.
Nowadays, most people don’t need the additional components that were built into the KSE1500 system, since many media devices already have these components built in. Bypassing these items, Shure was able to release the KSE1200 for $1000 less. Especially that more than ever, common everyday media players have started sending digital audio out from their devices. More and more of these players that have been coming out allows you to store massive lossless files already have great components, such as DACs, already built right into them.
At $1,000 less, it becomes a pretty good deal. Especially, if you happened to have heard the KSE1500’s when they first came out a few years ago.
Photo courtesy of Shure
But what makes these earphones extremely special compared to all the other ones out there is the electrostatic circuitry technology. This is why these headphones sound like no other.
“The earphone themselves are driven differently than a standard speaker…so, in your dynamic speaker; you have your magnet, you have your coil, you have your diaphragm…all of that has a relative mass to it…and as fast as it could move, we’re so used to using these speakers…they produce really good sound, don’t get me wrong…”, Sullivan explains…
“however, the electrostatic driver is compiled of a massless diaphragm that literally weighs nothing. It has a DC charge on it, and there are two plates that hold the audio signals at plus or minus 200 volts. Those plates are placed right next to each other, but not touching and they create the electrostatic energy field between them. The diaphragm is suspended between those, and because it’s massless, it moves as fast as that energy field can move, so there is no magnet or coil that has to force back and forth.,, the result is the fastest diaphragm, best transient response, clarity in detail…out of this world.”
Photo courtesy of Shure
I couldn’t agree more. It sounded out of this world…and I felt like I was transported to heaven, but went back to earth after taking the earphones off.
Intersolar and ees North America, the premier solar and energy storage exhibition and conference in North America, today welcomed an expected 15,000 attendees to San Francisco’s Moscone Center. Located in the heart of the U.S. solar and storage markets, the event offers more than 40 conference sessions and workshops, exhibitor presentations on two stages, and numerous networking opportunities that connect leaders in the solar, storage and smart renewable energy industries.
A packed room was on hand for this morning’s Opening Ceremony, which featured keynote speakers Dr. Elaine Ulrich, senior advisor to the U.S. Department of Energy, and Tony Seba, author and Silicon Valley entrepreneur.
The keynote speakers reflected on the continued growth across the solar and storage industries, spurred by technology developments and groundbreaking policies. Dr. Ulrich also reminded attendees of how collaboration accelerates efforts to bring valuable technologies and services to the new energy economy.
“This industry is incredibly innovative and we’re excited about the future we’ll see together,” noted Dr. Ulrich. “We know that industry partnerships are the cornerstone of our success. Without broad industry-wide participation, we would not be where we are today.”
Mr. Seba focused on how smart energy technologies are enabling a major shift in the automotive industry, drawing parallels between the evolution of telecommunications and the electrification of the transportation sector.
Tony Seba, author and Silicon Valley entrepreneur at Intersolar Press Conference. Photo by Marcus Siu.
“By 2030, because of pure economics, every building, house, device, will have a battery,” he said. “That is going to enable another disruption: the electric vehicle disruption. By 2025, if this cost curve persists, essentially every new vehicle will be electric.”
During the Opening Ceremony, California Gov. Edmund G. Brown Jr. was honored with the Champion of Change Lifetime Achievement AWARD, presented in partnership with the California Solar and Storage Association (CALSSA), for his unwavering commitment to solar industry advocacy over the past three decades. Bernadette Del Chiaro, executive director of CALSSA, presented the award, and commended Gov. Brown for his dedication to the advancement of solar throughout California.
“Many of you remember [Gov. Brown’s] first foray into solar back in the 1980s. He was supporting our technology way before anyone else saw the potential for it,” said Del Chiaro. “During his first term in 2011, we had 2 GW of solar in California. Today, we have 10 times that.”
Gov. Brown described Intersolar as a “gathering that can re-inspire so many innovators” before thanking organizers for the award. He went on to note: “It is California that is setting the pace. And yet we ourselves have so much more to do. Recognize, celebrate what we’ve done, but never for a moment think we are close to the goal – we have miles and miles to go.”
The Intersolar and ees North America exhibitions will showcase the latest trends in solar PV, energy storage, and smart renewable energy in six exhibition segments. With approximately 450 international companies present on the exhibition floor, attendees will gain early access to some of the most innovative solar and energy storage technologies being brought to market from across the industry value chain. The co-located conferences will feature over 170 influential speakers who will share their insights into market dynamics and opportunities for growth in 2018.
Solar and energy storage installations in the United States continue to set records and demonstrate their economic viability. According to GTM Research, 55 percent of all new electric generating capacity brought online in the U.S. in Q1 2018 came from solar. Solar installations are forecasted to reach 104 GW this year – moving forward, annual installations in the U.S. are expected to exceed the 100 GW threshold through at least 2022. The U.S. energy storage market is estimated to grow 17 times from 2017 to 2023, while the solar-plus-storage annual market is expected to reach 2.2 GW by 2023.
California Gov. Edmund G. Brown Jr. was honored with the Champion of Change Lifetime Achievement AWARD, presented in partnership with the California Solar and Storage Association. Photo by Marcus Siu.
Focus on Smart Renewable Energy Previews Next Major Industry Development
Increasingly, utilities worldwide are looking for smarter ways to manage renewable assets, including solar, energy storage technologies, and rising energy demand from electric vehicles (EVs). A recent report from the Rocky Mountain Institute projected that 2.9 million EVs will hit the roads by 2022, adding over 11,000 gigawatt-hours of electricity demand to electric grids across the globe.
Reflecting its commitment to anticipating industry trends, ees North America debuted the Power2Drive conference track, which features four sessions on managing the storage and infrastructure demands of the electrification of transportation. An exclusive white paper from GTM Research, “Grid Edge Innovation – Technologies, Business Models and the Future of Demand Flexibility,” offered further discussion on these trends, as well as the market potential for solar-plus-storage. The paper is available for download at http://www.intersolar.us> News & Press > White Paper.
The iconic legendary Japanese game creator, Koji Igarashi, whose Castlevania series created him loyal fans from all around the world is coming back with a new action-adventure video game.
Bloodstained: Ritual of the Night was developed by ArtPlay, DICO and WayForward Technologies, and published by 505 Games. Bloodstained is expected to be released on Microsoft Windows, Nintendo Switch, Playstation 4 and Xbox One in the Summer 2019.
As opposed to previous projects when Igarashi (Iga) worked with established studios, this time he chose to raise the funds for Bloodstained through the Kickstarter campaign as independent developer. In the interview with Paul Philleo, Iga talks about what inspired him to create Bloodstained and how the process of developing this game was different compared to his previous projects.
