by Lidia Paulinska | Dec 8, 2015
One of the challenges in today’s busy world is finding the time and taking the time to relax your body and mind. One of the methods is through meditation, but what happens when you meditate and you don’t know if you doing that right? You have all those thoughts running through your brain that often are hard to silence and let you relax. Solution? Muse, the brain sensing headband was created to help us meditate easy and experience all the benefits of meditation and relaxation. The headband equipped with sensors can sensed the EEG brain activity and connects to a smart phone app via Bluetooth. The app not only has the guided relaxation sounds, but also has a tracking screen so you can see your progress.
Getting in to a relaxed state is not as easy as it sounds, based on a study by the psychologists at Harvard University. Most people spend 47% of their day thinking about something other than they are currently doing. That is also the case for people who mediate or try to relax. The Muse headband helps train you in 3 minute sessions, to control your stress and tension and move to a productive meditation.
With device like Muse you visualize with your audio representation what is happening in your mind with the weather metaphor. So if you have Muse headband on you and you occupied with many thoughts it would sound stormy and windy. Muse will help you calm and find peace by breathing exercise and focus exercise. The app has graphs of the progress and stress in the current session and allows you to track prior sessions. This tracking allow you to train yourself to have a productive relaxation and meditation session which will bring increased focus on activities and tasks following the session.
by Lidia Paulinska | Dec 6, 2015
Kingston just expanded its HyperX headset line with the new Cloud Mav Edition, Freestyle Series. The limited edition over the head and over ear headphones are designed for the serious gamers. The headphones are used in serious eSports competition including Intel Extreme Masters, Brazil Game Show, China Joy, DreamHack, gamescom and PAX, where is highly appreciated by them. This apprecaiation is not just because of the performance but also their jazzy look, which is a loving baby of the cooperation between Kingston Company and the artists.
The headphones feature a large memory foam ear cushions surrounding the high-fidelity 53mm drivers, a closed cup design and detachable microphone. The two set of ear cushions (leatherette and velour) provide excellent sound isolation, so background noises in the game and sound effects can be clearly heard. One of the challenges with gaming headphones versus general listening headphones is the how the sound is separated to insure that voices come out clearly over the background. HyperX headset uses a separate detachable microphone to insure high quality communications in multiplayer games. The microphone uses a 6.5 mm diameter electret condenser capsule that is configured in a Cardioid pattern to minimize environmental noise pickup.
The headphones and microphone system is a wired design that is compatible with PCs, notebooks, tablets, mobile phones, airplane adapters and PS4 consoles though a standard 3.5mm mini stereo jack connector. The wired design works well for multiple people playing in one area as well as eliminating noise and false sounds that may come from other electronic devices. Most wireless headset systems pickup sounds from cell phones, tablets, laptops and other devices when connected to consoles and gaming computers. The high quality connection cable and the memory foam ear cushions give a very clean and isolated experience allows for deep immersion in the gaming environment.
The headphones are available from most retail channels for holiday season and comes with two-year warranty.
by Lidia Paulinska | Dec 6, 2015
This holiday season Moshi brings to its variety of electronics accessories new stylish and tech-savvy, messenger style Aerio bag. Designed for 15” laptop or tablet has also many, some expandable, packets/compartments for camera, headphones, wallet, phone etc. The bag features a proprietary ViscoStrap solution, the strap that reduces the effective weight of the bag on your shoulder when it is carried. The bag comes in two colors – Black and Grey. It is made of sturdy, premium, water-resistant fabric with stylish leatherette trim. It is All-in-One bag solution for professional, tech community that cares for design and usefulness.
The bag is very functional and addresses the need for the modern traveler – whether it is plane, train, bus or car – to have their laptop/tablet with them, along with the camera, cables, chargers, and purse supplies. The size is set nicely for not being too big, but large enough to hold what is needed. The bag is sized to fit under the seat for airlines, so you can have your items near you for flights.
by Tomasz Kolodziejak
by Lidia Paulinska | Dec 6, 2015
On December 2, 2015, in a live encore performance from the Metropolitan Opera House in New York City, Fathom Events presented Alban Berg’s masterful opera Lulu, featuring Marlis Petersen in the title role, Susan Graham as Countess Geschwitz and Johan Reuter as Dr. Schon. This was a very special performance, for it was to be Ms. Petersen’s final appearance in the role of Lulu after a professional career of delighting audiences here and abroad.
Alban Berg (1885-1935) was an Austrian composer, heavily influenced by Arnold Schoenberg and the culture of fin de siécle Vienna. He composed two seminal operas which were the most innovative and influential works of the 20th century: Woyzek (1925) and Lulu (1937). He is known for combining 19th century Romantic elements with Expressionistic idioms of the 20th century.
In this visually stunning production, the romantic lyricism of the music works in counterpoint to its atonality, and is complimented and contrasted with the stark, black and white expressionistic rear-screen projections, which, through their often violently changing patterns, create a kind of choral commentary on the action. Sudden giant swarths of black ink wash across the screen from one end of the huge Met stage to the other, and just as suddenly may dissolve into indiscriminate lines and circles with faces emerging from the seeming visual chaos. Characters on stage may wear cylindrical cardboard coverings over their entire heads featuring painted images and Lulu herself, as the personification of lustful, carnal desire, may append to herself cut-outs of her sex, becoming a cartoon-like nude.
Projection Designer Catherine Meyburgh, Set Designer Sabine Theunissen, and Costume Designer Greta Goiris all fulfilled the extraordinary task of creating visual magic and Maestro Lothar Koenigs along with the magnificent cast of Lulu were all instrumental in creating a memorable experience that will live on in our imaginations long after the final curtain.
by Lidia Paulinska | Dec 4, 2015
As part of their excellent “event cinema” series of filmed theatrical presentations, Fathom Events (fathomevents.com) screened William Shakespeare’s The Winter’s Tale for a one-night-only showing November 30th at hundreds of movie theatres throughout the world. This masterful production was performed by the Kenneth Branagh Theatre Company at the Garrick Theatre in London with Mr Branagh doing double duty as director and lead character Leontes and brilliantly complimented by a stellar performance by the incomparable Judi Dench as the redoubtable Paulina.
William Shakespeare penned thirty-seven masterful plays and 154 sonnets. Over the ensuing centuries there have been many attempts to categorize his plays, to fit them into a specific genre niche like “tragedy,” “history” and “comedy,” with many easily conforming to one or another of these categories, such as Hamlet, Macbeth, et al. who have earned their rank as true tragedies as evidenced by the body-strewn stages in their final scenes. Furthermore, those works that may be easily labeled “histories” include of course Henry IV, V, VI, Richard II & III, et al. since their primary focus is in fact on English history, albeit fictionalized like our contemporary historical novels.
Perhaps more problematic however, are those works that critics have attempted to label “comedies.” These so-called “comedies” share little in common with our 21st century American notion of what is in fact a true comedy. What often gives these classic works new vitality and relevance for a contemporary audience are well-positioned and thematically relevant directorial interpolations such as original music, zany by-play among the characters, imaginative staging and set design, etc.
Called “a timeless tragicomedy of obsession and redemption,” The Winter’s Tale is all of that and more. Wisely avoiding getting into the “genre controversy,” the scholar/critic Harold Bloom has observed, it is a vast pastoral lyric, “a mythic celebration of resurrection and renewal,” and of course a psychological novel of the first order, dealing as it does with the destructive force of the jealous rage experienced by Leontes toward his boyhood friend Polixenes whom he mistakenly believes to be responsible for the pregnancy of his beautiful and virtuous wife Hermione. It is Othello revisited, yet with refinement, for Iago has been internalized into the psyche of Leontes whose diseased intellectual activity renders him indifferent to moral good or evil.
If Act One deals with the destructive force of sexual jealousy personified by Leontes which causes the spiritual and physical death of his innocent wife Hermione, Act Two takes place sixteen years hence and, in contrast to the tragic events of the first act, opens on a high-flying festive note, featuring rollicking folk song and dance, foreshadowing Leontes’ mythical and redemptive reunion with a miraculous resurrected Hermione.
The final scene offers us a redemptively charged tableau vivant of Leontes, Hermione, and their sixteen year-old daughter reunited and thus a Leontes redeemed.
What distinguishes Shakespeare’s comedies from his tragedies is principally in the final scenes: In the tragedies, most of the principal characters wind up dead, whereas in the comedies, reunification and redemption prevail, marriages abound, and presumably everyone lives happily ever after, or as Shakespeare indicates elsewhere, “All’s well that ends well.”
And so too with Mr Branagh’s rich and compelling production: all was very well done indeed.
by Lidia Paulinska | Dec 1, 2015
Audio manufacturer JLab was showing their new EPIC wireless Bluetooth earbuds. Designed for the active user, the earbuds are waterproof for all weather and heavy exercise use. The design has a single wire connecting the two earbuds with an in-line microphone and control for both audio playback and phone call use. The EPIC earbuds are available in several colors to help match the fashion sense of the user.
Following in the path of the over the head headphones, the Epic earbuds are focusing on the quality of the sound. To maintain an even listening experience the earbuds have a clip to hold them in place. The new design is claiming a 10 hour battery life, and the earbuds worked close to that. The 10 hours is based on certain play and pause times, the reality is with waiting, phone calls, and playing music, a single charge will make it a full 8 hour day.
The headphones identified that they use a pair of neodymium drivers, the EPIC earbuds did not identify the driver type, but on a scaled down basis they are similarly clear. The earbuds were pretty clear for talking on the phone, however they did pick up a bit of wind and background noise due to the location of the microphone. Listening to music was fine, and would work well during exercise and on transportation and still make lyrics understandable.
The Epic earbuds are available on-line from the company website and major retailers.
by Lidia Paulinska | Dec 1, 2015
iBaby Labs, is a company that has operated for the last four years in the baby monitoring space, is well known for its unique design, easy setup and user-friendly interface. As well as broadly awarded including Mom’s Choice Award, NAPPA Gold Award, The National Parenting Center Seal of Approval, Creative Child’s Product of the Year 2015.
Now the company is plunging into Connected Home under new brand iFamCare. No wonder when the new product, camera monitoring system, named Helmet, was launched on Indiegogo in July 2015, it surpassed its original goal within few days.
Helmet has elegant design and comes in four colors – white, black, silver and gold. The monitor boasts 1080p HD video, the ability to hear and speak, supports 360 degree horizontal and 110 vertical movement, sound and air quality sensors, smog detector and sound and motion alert. A built-in laser beam allows to interact with family and pets being away from them. They people and pets in the room can hear and speak to the helmet. The helmet also has a connection to social media platform.
The unit is designed to be controlled from a smartphone on iOS or Android systems. The app is easy to find at both iTunes and the Google Play Store. The main functions of the web cam works well. The images are clear and the sound is good. The streaming to the smart phone works when the phone is connected to WiFi, but does not pass images when there is just 3G or 4G coverage on a standard cellular network. The night time mode is not a detailed one but good enough to evaluate what is going on.
The product is available at Amazon, and some other retailers for competitive price 149 dol.
by Lidia Paulinska | Dec 1, 2015
If you ask what BAC means? The answer is Blood Alcohol Content which is now easy to track thanks to BACtrack breathalyzers, that many of you already known.
In 2015 holiday season BACtrack offers two new versions of their breathalyzers: BACtrack Mobile and BACtrack Vio Smartphone (key chain version). Both are supporting our lives being closely connected to smartphones and smartwatches via Bluetooth. There is no more guessing if you and your guests can safely drive because the BACtracks products provide police level alcohol measurement and the BACtrack Vio provides the trends on consumptions as well. The devices are design for a single person to user or multiple users when they use the additional mouthpieces. 
The BACtrack products support iOS and Android systems on our smartphones. Once connected to the free BACtrack app, a user is able to save and track the results over time, as well as add photos and notes to those results, in order to learn valuable information about the drinking habits. The app was easy to find on iTunes or Google Play Stores and easy to install too.
The results of the alcohol content can be easily send to user’s wrist. The new Apple Watch Integration allows for initiating and completing BAC tests via on the Watch. The use of the test results on the watch also make it more convenient to access the estimated alcohol level anytime using the Active ZeroLine feature that gives countdown. This feature is exclusively for the watch app, and not available on the smartphone app.
New BACtrack products are available in the main retailer stores as Costco, Best Buy or Walgreens.
by Tomasz Kolodziejak
by Lidia Paulinska | Dec 1, 2015
The latest version of the MobileLite Wireless product is much more mobile phone centered than past versions. The G2 version starts by adding a Li-ion battery that can provide 13 hours of continuous use for the device or be used to charge your mobile phone. While prior versions were targeted at the whole mobile market which includes laptops, tablets and phones, this new version is very size and feature targeted towards phones.
One of the main new features is the ability to support video streaming to multiple devices as well as camera roll support. The portable device still has a wireless 802.11g/n WiFi and a router capability along with USB and SD card support. The unit was updated to support the SD-XC extended capacity cards that now on the market. For security, the device allows for setting up your own SSID name for the network, and encryption on the WiFi.
The list of mobile device operating systems and platforms has expanded to include iPad2, iPad (3rd & 4th Gen), iPad Air, iPad mini, iPhone 4/4S/5, iPod Touch, Kindle Fire, Kindle Fire HD, and Android. As a wire connected product, it works with Windows 8.1, Windows 8, Windows 7, Windows Vista, Mac OS X, and Linux. The device is available for the holiday season.
by Lidia Paulinska | Nov 28, 2015
The two-day KTech – KGlobal@Silicon Valley 2015 symposium and expo organized by the Korean Ministry of Science, ICT & Future Planning along with KOTRA Silicon Valley; was dedicated to promote Korean technology and its ties with Silicon Valley. The event took place on November 12-13, 2015 at Marriott hotel in Santa Clara, CA. The opening remarks were delivered by Yong Soo Kim, Assistant Minister of Science, ICT and Future Planning, ChangYup Na, Managing Director of KOTRA in Sillicon Valley, Jong-Lok Yoon, President of National IT Industry Promotion Agency, Congressman Mike Honda from 17th District of California and Dongman Han and Consul General of Republic of Korea in San Francisco.
The main theme of this year event was “Automated Future: Human + Technology”.
The first keynote speaker Curtis Sasaki, Vice President of Ecosystems and IoT General Manager from Samsung Electronics stated that in 2020 many of our devices will be connected. Sasaki who worked in the past at Apple and Sun Microsystems, and today at Samsung, the most recognizable brand from Korea, described some effort and the products that company offers: Samsung Sleepsense, the sleep monitor, Samsung Gear S2, stylish and smart watch, and Samsung gear VR. According Sasaki, next area where we should expect a lot of traffic is VR (Virtual Reality). And VR is not just for a gaming but may also conquer other territories such as real estate, where surprisingly, people are willing to buy a house without visiting it or in education where the technology can offer the VR tour of the world in every school. Samsung applied the VR in their smartphones, like the Galaxy 5, and just headphones are needed to get a VR experience. In his summary, Sasaki pointed out the challenges that society faces nowadays and summarized the solutions: IoT can be a catalyst, partnerships are critical, technology and innovation are moving at an even faster pace than in the past.
A world experienced wide robotics revolution – stated second keynote speaker Rodney Brooks, Founder, Chairman and CTO of Rethink Robotics – sustaining growth in the face of demographic inversion. Brooks is convinced that time for the robots to interact with humans in the daily life is now. As he described it: It knows what you mean and it does what you want. Radical rethinking of manufacturing strategies is underway. The time is now because of convergence of Industrial Internet (Intelligent devices networked into intelligent systems), Additive manufacturing (Changing the economics of scale), Near-shoring (Benefit of low-cost outsourcing is eroding), Digital revolution (Cheap sensing, cheap computation, pervasive connectivity). As the population enjoys long life expectancy the robotics is going to get pulled into in home for elder care and find it use in the aging population. Brooks showed the statistics from Europe, 1950 when the population reaches 349.8 million and life longevity was 80, in Europe 2050 the population will be 401 million with life longevity to the late 90. The speaker reminded the audience that the first commercial robot was developed was in a GM factory in New Jersey in 1961. Today robotics represents baxter, research robot; the product of robust and growing developer community sharing code and applications, uses the Unified RobotDesriptor Format (URDF) for collaboration across groups, uses open source ROS framework, the standard in academia and corporate research, complete robotics platform with low-level control for custom application development, interface for custom end-effector development.
The keynote speakers set the mood for a vibrant Automated Future: Human + Technology panel discussions over the next two –days of KTech symposium. Meanwhile more than 35 Korean companies in security, wearables, big data, e-learning, hardware and software were presenting their solutions for the world at the expo area along with international job fair at the Marriott hotel in Santa Clara.
Photos of the event can be found at: https://brightblueii.com/photos/ktechsilicon-valley-2015/
More information at the website: http://www.ktechsv.org/
by Lidia Paulinska | Nov 28, 2015
On the evening of November 10, 2015, thousands of fortunate theatre-goers world-wide were treated to a rare theatrical experience. They were offered the opportunity, through the good graces of Fathom Events, to witness a filmed live presentation of William Shakespeare’s immortal tragedy, Hamlet staring Benedict Cumberbatch of “The Imitation Game” fame in the title role. And a rare treat it was.
At the ripe old age of 400, Shakespeare’s iconic work, bursting at the seams with 4,000 vibrant lines of verse and prose, is as vital and relevant today as it was to audiences in the 17th century. An un-cut version of the play can run up to a daunting four hours, yet in an age of instant global communication and fast food, it nonetheless remains for us one of the greatest works of dramatic literature ever penned. Shakespeare not only belongs to the ages…he belongs to the world. In fact, his 37 plays have been translated into more than 100 languages and in the past ten years alone there have been seven professional productions in Arabic and over the years countless amateur and professional performances have been done in Yiddish.
Shakespeare’s plays were performed at the fortuitously named Globe theatre in Elizabethan London, a large round “wooden O” which was open to sky and could accommodate 1,500 spectators, with the gentry seated above and commoners standing below in the yard and having put 1 penny in a box at the entrance (origin of term “box office”) for the privilege. The bare stage thrust out into the yard where those Groundlings (also called “Stinkards”) stood and was completely devoid of any scenery. Consequently, the actor relied almost exclusively on Shakespeare’s dialogue to fix the location of the action. Such lines as “Here we are in the Forest of Arden” fulfilled this demand admirably. Costumes and props were minimal, limited to perhaps an occasional crown or sword, with Claudius no doubt wearing an identifying crown and Hamlet with sword in hand, dispatching the hapless Polonius behind the areas in Gertrude’s bed chamber. “Thou wretched, rash, intruding fool, I took thee for thy better.”
But that was then, and even though the language of the plays has remained constant throughout the centuries, what has changed radically has been the style of acting and the entire miss en scene, i.e., the sets and scenic design elements, the sophisticated computerized lighting, the elaborate costumes, etc., all determined by the culture of the time and place where the plays were performed. A minority of productions have remained faithful to the bare stage tradition of the Elizabethan period such as Richard Burton’s dynamic, bare-bones1964 Broadway presentation, performed on a bare stage with actors performing in rehearsal clothes (Burton hated period costumes). In contrast to that production, we need look no further than the over-the-top, sumptuously extravagant 1996 Kenneth Branagh film version which he directed and played the title role. His is a Hamlet that pulled out all the stops and was roundly criticized for it, not being “faithful” to the original text it was claimed. In one scene for example, Ophelia is in a padded cell sporting a straight jacket with little evidence in Shakespeare’s text of such a fate.
The National Theatre’s offering at the Barbican clearly leaned more to the Branagh rather than the Burton tradition, but with infinitely greater moderation, being quite legitimately, a richly staged production which captured the dark essence of the play. Here we have an Elsinore that is dank, cold and cavernous, dwarfing its doomed inhabitants, and being at once both elegant and decadent, fostering a thematic tone of foreboding that took on the qualities of a forbidding damp tomb, perfectly complementing the emerging tragedy that is unfolding.
And Shakespeare’s language? Mr Cumberbatch, ably backed by a splendid supporting cast, delivered his lines with an honesty and clarity that immediately engaged his audience and allowed Hamlet to come alive for us through the immediacy of the emotion he so effectively conveying. His was not so much the traditional “melancholic Dane” as he was a man beset by overwhelming passions and unbridled fury, the inevitable escape from which could only be realized in death.
If, as Hamlet extols to the visiting players, “the play’s the thing…”, then this well balanced, forceful production of Hamlet, splendidly sculptured for a 21st century audience, fulfilled that admonishment.
Lidia Paulinska and Hugh McMahon
