December, Fathom events – L’Amour de Loin (Love from Afar), an opera in five acts, received its world premiere performance at the Salzburg Festival on August 15, 2000.
The current Met Production is distinguished for two historic reasons. First, composed by the Finnish Kaija Saariahoit , it is only the second opera composed by a woman performed by the Met since 1903. In addition, the brilliant conducting is masterfully handled by another Finn, Susanna Malkki, who enjoys the distinction of being the very first woman to grace the Met’s orchestral podium in it’s entire 137 year history. One might conservatively say, “It’s about time.”
The vocals for the evening were ably handled by Susanna Phillips as Clémence Tamara Mumford as the Pilgrim, and a powerful Eric Owens as Jaufré, all meeting and surpassing the challenges of the complex score.
Production credits go to Robert Lepage whose controversial Ring Cycle is remembered by Met opera goers. In this production, the entire Met stage is taken up with no less than 28,000 LED lights in parallel rows representing the sea. Except for the chorus occasionally popping up from between the rows, the principal vocalists are restricted to an odd, mechanical contraption in a cage at the end of a protruding arm.
The giant mechanism moves (carefully) between the rows of the distracting blinding lights. The set then becomes the forced focal point of the production, upstaging the vocalists in every scene.
On balance, the set stands as one of the more unfortunate expressions of scenic design in recent Met memory. Planning to attend? Don’t forget your sunglasses, the score is worth your time.
December, Logitech – Logitech SmartDock is secure meeting room console designed for Skype for Business. It can transform your meeting with a rich, collaborative experience. At Video Collaboration Press Briefing that took place November 21, 2016 at Logitech Headquarters in Newark, Joan Vandermate walked us through the details of the LogitechSmartDock and presented the functionality of the unit that was just shipped to the market.
The full interview and product demo can seen below:
November 2016 , Automobility LA – Where are we going with the cars? Brian Cooley in his keynote speech at the 2016 Automobility show in Los Angeles described the main characteristics for the automobile industry as follow: cars are doing more, the driver is the differentiator, many ways of electrification, the new performance and big data.
There are three forces changing cars today: Electrification – likely in 2025 EV will reach a tipping point. 35% of new sales by 2040? Connectivity – 75% of 90M+ new cars sold annually connected by 2020. Autonomy – 10M+ full/partial autonomous cars on the road by 2020.
The world is getting serious about EVs. MIT study pointed out that 0.83% of US car market is BEV/PHEV and 87% of cars are replaceable by current BEV/PHEV. In addition the electric vehicles are easy for car sharing what is considering as the future of the industry. The young people’s attitude towards cars has been changing and they not necessary feel a desire to own a vehicle. Bloomberg predictions are very optimistic: 40% of global new car sales by 2040 will be BEV/PHEV.
Car connectivity is necessary because of constant need of communication (web messaging, social media sharing), navigation (search to destination), entertainment (streaming music and video) and telematics (remote status and control). Cars come home. Two main spaces: home and car are connected.
Autonomy is the future. The autonomous cars advantages are as follow: accident reduction, personal time recapture, congestion reduction, better road utilization and fuel efficiency.
December 2016, NAMM – The 32nd NAMM TEC Awards nominees for upcoming Winter NAMM were announced. The celebration of the winners in 23 categories of Outstanding Technical and 8 categories of Outstanding Creative Achievements will take place during the in Anaheim on Saturday, January 21, 2017. The TEC Awards are recognition of the individuals, companies and technical innovations behind sound recordings, live performances, films, television and video games. More info at www.tecawards.org and congratulation for the nominees.
Outstanding Technical Achievement
Amplification Hardware – Studio & Sound Reinforcement: Crown – XLS DriveCore 2, d&b Audiotechnik – 30D, dbx – DriveRack VENU360 Series, JBL – M-Patch, Lab.gruppen – E Series, Powersoft – Deva HD
Ancillary Equipment: Antelope Audio – OCX HD, Antelope Audio – 10MX, Dangerous Music – 2-BUS+, Little Labs – Monotor, Radial Engineering – DiNET TX & RX Dante direct boxes, Rupert Neve Designs – RNHP: Precision Headphone Amplifer
Audio Apps & Hardware/Peripherals for Smartphones/Tablets: Antelope Audio – Satori Remote, Avid – Pro Tools | Dock, iConnectivity – iConnectAUDIO2+, Moog Music – Model 15 App, Radial Engineering – BT-Pro, Sennheiser – Wireless System Remote
Audio Education Technology: EarMaster – Pro 6, Hal Leonard Performing Arts Publishing Group – Recording Unhinged, iZotope – Pro Audio Essentials , JBL – SpeakerPro, Neumann – Neumann in the Home Studio, NYU Music Experience Design Lab – Groove Pizza
Computer Audio Hardware: Antelope Audio – Orion32+, Apogee – Symphony I/O Mk II, Prism Sound – Callia, Focusrite – Red 4Pre, PreSonus – Studio 192 26×32 USB Interface, Universal Audio – Apollo Twin USB Interface
DJ Production Technology – Hardware/Software: American Audio – VM55 Controller, Denon – DJ MCX8000, Native Instruments – TRAKTOR Kontrol S5 controller, Numark – CDmix USB, Rane – MP2014 mixer, Reloop – Mixtour 2 mixer/controller
Large Format Console Technology: Allen & Heath – dLive Series, AMS Neve – Neve 88RS, Avid – S6L, DiGiCo – Stealth Core2 , Solid State Logic – System T, Yamaha – Rivage PM10
Workstation Technology / Recording Devices: Avid – Pro Tools 12.3, Celemony – Melodyne Studio 4, MOTU – Digital Performer 9.1, PreSonus – Studio One 3.2 Professional , Steinberg – Cubase 8.5, Tracktion – T7
Outstanding Creative Achievement
Film Sound Production: 13 Hours: The Secret Soldiers of Benghazi, Bridge of Spies, Star Trek Beyond, Star Wars: The Force Awakens, The Martian
Interactive Entertainment Sound Production:Call of Duty: Black Ops III, Fallout 4, Star Wars: Battlefront, Uncharted 4 A Thief’s End, World of Warcraft: Legion
Record Production – Album: Blackstar, David Bowie, A Head Full of Dreams, Coldplay, Culcha Vulcha, Snarky Puppy, Crosseyed Heart, Keith Richards, Hamilton, An American Musical, various artists
Record Production – Single: Blackstar, David Bowie, Can’t Stop the Feeling! Justin Timberlake, Empty, Garbage, Hello, Adele, Stare, Prince
Remote Production – Recording or Broadcast: 38th Annual Kennedy Center Honors, 58th GRAMMY Awards, 70th Annual Tony Awards, 88th Academy Awards, Superbowl halftime with Coldplay, Beyonce and Bruno Mars
Studio Design Project: Boston Symphony Orchestra Control Room, Deadmau5 Mau5trap, Man Made Music, Valenzo Studios, VSL Synchron Stage
Television Sound Production: Downton Abbey, Game of Thrones, Mr. Robot, The Walking Dead, Vikings
Tour/Event Sound Production: Adele Live 2016, Dave Matthews Band 2016 Summer Tour, One on One Tour – Paul McCartney, Radiohead 2016 World Tour, Rock Paper Scissors North American Tour – Sting and Peter Gabriel
Pepcom, October – On Thursday, October 27 Pepcom hosted its Holiday Spectacular press only event at Metreon City View in San Francisco. Over 50 companies were showing the season’s hottest new products and services. Last week Holiday Gift Guide produced by Roadway Media www.roadway.media was on the air on Comcast channel 27 and AT&T Uverse channel 99. Now is available at:
October, SMPTE – At the first day of Centennial SMPTE ATC conference three speakers: Paul Debevec, Co-Chairman of Science and Technology Council, George Joblove, Co-Chairman and Jack Holm, Co-Author of Science and Technology Council SSL Project Committee presented the challenges and issues in color rendering using the solid state lighting (SSL) along with a solution – a Cinematographic Spectral Similarity Index. The new color index is based upon the similarity of a luminaire’s spectrum to a reference spectrum that eliminates the need for any assumption of the specific observer or camera spectral sensitivity.
The Academy of Motion Picture Arts and Sciences’ Science and Technology Council has investigated the issue the last few years. The AMPAS project was presented at SMPTE Tech Conference in 2009 (“State of Solid State Lighting”), at NAB conference in 2011 (“Chromatic Chaos: Implications of Newly Introduced Forms of Stagelight”) and again at SMPTE in 2013 (“Color Predictor Tool”). “The Experiment” conducted in 2010 showed that luminaire spectral power distribution affects skin tone, makeup, costumes, props, and sets. It showed differences in color for 4 different sources despite all of them being at the same color temperature.
The characteristics of Spectral Similarity Index (SSI) that is a solution for that issue are following:
it defines how close a test spectrum is to a reference spectrum (e.g. tungsten),
does not assume a spectral sensitivity for the camera/film/eye,
single value representing quality of curve fit,
index is easy to understand
easy to include on luminaire/lamp packaging and literature.
The presenters explained the technical aspects of SSI but the final message is that the index yields a confidence factor, where a high score implies predictable color rendition for cinematography, and a moderate score implies possible color rendition challenges. The look of the image and the color of the things on the large screen for cinema, and now with the addition of HDR (high dynamic range) and WCG (wide color gamut) being available on home television screens, means color rendition for projects is once again at the forefront of the content creators vision.
Fathom events, October – Offered for a single-evening engagement at select US theaters on Wednesday, October 5, 2016, Fathom Events presented Mel Brooks’ 1974 horror movie parody Young Frankenstein, starring Gene Wilder in the title role. The wonderful supporting cast included Teri Garr as the doctor’s fetching (very) personal Inga, Cloris Leachman as the evil Frau Blucher (at the very mention of her name, horses become hysterical), Marty Feldman as the devious bug-eyed hunchback, Peter Boyle as the Creature (IT’S ALIVE!!), Madeline Kahn as the horny up-tight socialite, and Kenneth Mars as the one-eyed, one-armed police inspector. Gene Hackman makes a brief cameo appearance as Harold, the blind old recluse.
This delightful film is a hilarious parody of the flood of classic horror film adaptations of Mary Shelly’s novel Frankenstein that were produced by Universal in the 1930’s. Shot in black and white to evoke the proper atmosphere, Brooks even employs the original lab equipment props used in the 1931 Frankenstein starring Boris Karloff and features 1930’s style opening credits and period scene transitions such as iris outs, wipes, and fades to black. Young Frankenstein was a box-office smash and critically considered be one of the greatest film comedies of all time, ranking number 13 on the American Film Institute’s list of the 100 funniest American movies.
The story involves the respectable Dr. Frankenstein, a physician played by Wilder, who inherits his infamous mad-scientist great-grandfather’s castle in Transylvania and of course that’s where the fun begins. Dr. Frankenstein decides to follow in his mad great-grandfather’s footsteps and re-animate the dead. He ultimately succeeds. “IT’S ALIVE!!”
Arriving at the Transylvania train station, Dr. Frankenstein is met by a hunchbacked, bug-eyed servant named Igor (Marty Feldman). Frankenstein insists his name be pronounced “Fronken-steen,” so Igor insists his name be pronounced “Eye-gor.” A beautiful young assistant by the name of Inga (Teri Garr) is assigned to Frankenstein and when they arrive at the castle, the doctor comments favorably about the size of the door knockers and Inga thanks him, thinking he’s complimenting her anatomy. The movie is full of visual and word gags like this. When Igor asks the Doctor to follow him, he says “Walk this way,” and Frankenstein obediently limps along behind him. The doctor at one point suggests to Igor he can do something about his hump to which Igor replies “What hump.” And much to the doctor’s astonishment, Igor’s hump also seems to inexplicably switch from one side of back to the other. More hilarious moments include the top hat and tails song and dance routine performed to “Puttin on the Ritz” reminiscent of Fred Astaire with Dr. Frankenstein and the Creature singing and dancing in perfectly synchronized vaudeville style.
“Dressed up like a million dollar trouper
Trying hard to look like Gary Cooper
Super-duper.”
Mel Brooks addressed the Fathom Event audience at the conclusion of the screening and it was a delight to listen to him share aspects of his professional career with us. He considered Young Frankenstein to be his finest (though not his funniest) film as a writer-director. Interestingly, he felt his funniest film was Blazing Saddles (1974), followed by The Producers (1968) and then Young Frankenstein. However, as far as most audiences are concerned, they are all equally hilarious and our lives are richer because of them. We may have personal favorites, but thankfully we have a rich comic heritage from which to choose.
Aristotle wrote much in an attempt to define tragedy, but claimed he didn’t write about comedy because no one took it seriously. (Drum roll please: da da bum). Without realizing it, he was our first stand-up comic!
If someone tells us they don’t take us seriously, we should consider it a compliment. Mel Brooks would.
September, CTIA – The last day of CTIA 2016 conference brought a very special guest as keynote speaker – Academy Award winner, Golden Globe winner and 10-time Grammy Award winner, singer and songwriter – John Legend. His fireside chat discussion with Chris Hercik, senior vice president of Creative + Content, The Foundry@ Time Inc. the musician talked about how he and his wife Chrissy Teigen are for the technology and how they fully embrace it. He loves to be connected. He gave insightful overview on a topic how mobile technology continues to impact music industry.
Hercik also brought the information that not many know about the musician. John Legend is also a philanthropist. He volunteered to help the survivors after the Hurricane Katrina and Haiti. Recently he was ranked number 6 on the “World’s Greatest Leaders” list for the most influential figures from around the world in business, philanthropy and arts. On that list are people like Bono and Pope Francis. Legend was awarded for his effort to reform United States school and prison systems. Musician established the Show Me Campaign, a non-profit organization, to break the poverty trough education. He is also involved in some other charity organizations such millennium Promise Alliance to help African villages.
He spoke about his personal life with wife Chrissy and shared what makes him up. My daughter Luna –answered Legend with laugh. Luna is just few month old. I love music, I love doing what I am doing, and hopefully it makes the world more interesting and more beautiful place – stated Legend – I am lucky that I can do it every day.
September, CTIA – Chris Pearson, President of 5G Americas, told us in 1:1 interview during the CTIA conference that the focus on 5G is good because we need to be looking at the future and the things we need to do to stay connected. This includes providing more mobile broadband, more massive LTE, less latency and finally reliable communication. For the foundation of mobile broadband, 4G and 5G will be integrated together as well the incorporation, with a big role, of LTE Advance and LTE Advanced Pro. But there is some economic reality behind the adoption of the technology in that, if you are an operator, and you want to deploy 5G, you have to have a business case to spend hundreds of millions or billions to pay it back.
5G Americas advocate for more innovations and investments from the private sector to look at the best interests of the end customers. The customer can be consumer, enterprise or verticals inside IOT.
5G Americas is the voice of 5G and LTE for all the Americas. They work by supporting the ecosystem of mobile operators and vendors, working with government agencies, regulatory and standards bodies, as well as other global wireless organizations to promote the 5G & LTE technologies. They work in three (3) different areas:
First – Technical recommendations and facilitations. They don’t typically create standards but they are part of the process of education on the direction of the technology that they want. They also contribute their white papers with the associations around the world and governments around the world with focus on Americas region.
Second – They work on regulatory policy, that as Pearson admitted – become more and more important because of what 5G is going to be doing. 5G is getting to the other verticals and other areas such as: education, transportation and health care. He believes that 5G ecosystem should include and will include a regulatory aspect as it enters market already subject to regulatory control.
Third – Education. They provide outreach with all wireless headquarters including industry media, industry analysts and a lot of influencers and government processes.
September, Fathom events – On Wednesday, September 14, Fathom Events presented “Snowden,” an expertly directed docu-drama by the incomparable Oliver Stone followed by a Live conversation with Edward Snowden (via the internet) and Oliver Stone and the two main actors: Joseph Gordon-Levitt and Shailene Woodley (live from NYC).
“Snowden” is the story of an idealistic young man by the name of Edward J. Snowden, probably the world’s most famous, or infamous, depending on your point of view, whistle-blower, who worked for National Security Agency and the C.I.A. as a data analyst, and whose experiences with those organizations lead him to question some accepted truths about patriotism, one’s responsibility to one’s country, and to ultimately challenge the very essence of authority.
Joseph Gordon-Levitt as Snowden does a remarkably empathetic representation of a shy, intelligent idealist, drawn to government intelligence work out of a sincere desire to serve his country and the gradual and cinemagraphically nuanced transition he experiences at those agencies from an unquestioning data analyst to either a patriotic whistle-blower or traitor depending on one’s point of view. Stone’s interpretation of the events clearly supports the former.
In contrast to many of Stone’s earlier efforts, “Snowden” is a remarkably restrained and intelligent film in both cinematic and political terms…no rage against the system or beating the drum of justified revolution. Snowden is represented as a sincere and thoroughly rational idealist whom Stone frames within a world of divided loyalties, secrecy, and indications of astonishing world-altering power. We witness his ethical angst within a very effective restrained cinematic context. It’s a world of data, codes, and algorithms, a context within which Stone may in fact not be able to choose a course of unrestrained anger and leftist polemic as is typical in many of his earlier works.
Stone makes his case uncharacteristically a-political case with enormous skill, discretion, and restraint without the need to dazzle or enrage his audience. “Snowden” is a clear and honest dramatization of one of the more outstanding news events of the past several years and worthy of our attention.
September, Fathom events – Picture Home Entertainment and Fathom Events bring “Labyrinth 30th Anniversary” to the big screen on September 11 at hundreds of theaters throughout the country to celebrate Jim Henson’s imaginative adventure.
“Labyrinth,” a children’s fantasy complete with extraordinary Muppet-type puppets, was produced by George Lucas in 1991 and featured David Bowie and Jennifer Connelly. It was initially a critical and box office failure, costing $25 million to produce and grossing $12.5 million. Over the years, however, it became something of a cult favorite, enjoying a new audience ten years and beyond. In fact, the Fathom presentation enjoyed an enthusiastic standing-room-only screening on the evening of it’s presentation.
It was directed by Jim Henson who was the creator of the Muppets of TV’s groundbreaking “Sesame Street “ which first aired on PBS November 10, 1969 and is currently enjoying it’s 46th successful season and continues to feature many of Henson’s original Muppets, including Elmo and Oscar the Grouch.The film features a rather menacing and demonic-looking singing Wizard played by David Bowie who seems rather uncomfortable in the role, perhaps he had to share top billing with a bunch of puppets. The plot is a simple one dealing with the mis-adventures of 15-year-old Sarah in search of her baby brother Toby. Needless to say, it has a happy end.
